There's a very vivid analogy—KITE Network is like the modern Medici family. But the key difference is that this time, the "sponsorship" isn't controlled by a centralized decision-maker; instead, resources are automatically allocated by the global market.

Imagine, ten years ago, what would it take to produce a commercial-grade CG movie? Spending hundreds of millions to buy top-tier rendering farms, hiring Hollywood-level special effects teams. Now? An independent creator can use the KITE Network to access comparable computing power at a fraction of the cost. This isn't some black technology; it's about freeing those "god-like" tools from the hands of a few.

The logic of creation is also changing. In the past, artists started from a blank page, relying solely on their brains and hands. Now, it's different. You can start with a pre-trained foundational model for inspiration, then train a personalized AI assistant using your portfolio—this AI learns all your stylistic habits. Going further, you can even combine multiple specialized models: one for composition, another for coloring, and another for music generation. It's like conducting an orchestra, with each module playing its part.

What is the result of this? Creation is no longer just manual labor but a collaborative effort between humans and machines. Your ideas become commands, and AI becomes your other set of hands. Efficiency doubles, while costs significantly decrease. The barrier to creativity drops from "requiring large capital and big teams" to "having ideas and knowing how to use tools."

This is true democratization—not just a slogan, but something practically achievable.